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Discovering Georgian Cinema

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Discovering Georgian Cinema

Saturday, February 21, 2015
6:15 p.m. Big Green Valley
Merab Kokochashvili USSR, 1968

Imported Print!


(Didi mtsvane veli, aka Great Green Valley). The modern world comes to a forsaken section of the Soviet empire in Merab Kokochashvili’s neorealist village drama, one of the most singularly pessimistic works of sixties Soviet film. “Whether he likes it or not, life will bring him here,” states a collective figurehead outside a newly built worker’s hall; he’s referring to our hero Sosana, a burly sheepherder who could care less about answering to anyone, much less living in the modern new town going up nearby. But oil is coming, and with it changes that will leave Sosana with little choice. “Is everything lost forever?” he wonders, as he wanders through the region’s constant fog. Voicing the film’s underlying theme of hopelessness, his wife, meanwhile, can only mutter, “I don’t want to die in this godforsaken place.” Offering neither John Ford-like optimism nor Communist-era visions of collective good, and created during a brief thaw in Soviet censorship, Big Green Valley is refreshingly, almost shockingly unsentimental, and a willful thumb in the eye to both progress and tradition.

—Jason Sanders

• Written by Merab Eliozishvili. Photographed by Giorgi Gersamia. With David Abashidze, Lia Kapandze, Mzia Maglakelidze, Ilia Bakakuri. (80 mins, In Georgian with English electronic titling, B&W, 35mm, From Arsenal—Institute for Film and Video Art)