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Anna Halprin: Parades and Changes

February 15, 2013; 7:30 p.m.; Gallery B

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Programmed by Dena Beard

Visionary choreographer Anna Halprin performs a new version of her iconic work Parades and Changes, her final staging of the piece that formed the foundation for her subsequent career. For this last staging, Halprin is reunited with her original composer, electronic music pioneer Morton Subotnick, longtime collaborator and lighting designer Jim Cave, and choreographer and associate director Shinichi Iova-Koga.

Parades and Changes will also be performed on both Saturday, February 16 and Sunday, February 17 at 7:30 p.m.

This performance is part of Anna Halprin / MATRIX 246, which also presents scores and ephemera related to the history of Parades and Changes in Gallery 1.

Doors open at 5:00. Please arrive early; only a limited number of chairs will be available and no one will be admitted after the start of the performance. Capacity is limited, so get your tickets today. Please note that photography is not allowed during the performance.

Admission to L@TE is $7; free for BAM/PFA members and Cal students, faculty, and staff. Advance tickets are available online, in person at the BAM/PFA admissions desk, and by phone.

L@TE is made possible by Ann Hatch/Tin Man Fund, the Thomas J. Long Foundation, and the continued support of the BAM/PFA Trustees. Special thanks to our media sponsors East Bay Express and San Francisco Bay Guardian.

Anna Halprin / MATRIX 246 is organized by Assistant Curator Dena Beard. The performances of Parades and Changes are made possible in part by The Creative Work Fund, a program of the Walter and Elise Haas Fund supported by generous grants from ArtPlace, The William and Flora Hewlett Foundation, and The James Irvine Foundation. Additional support is provided by The Phyllis C. Wattis Foundation, the Zellerbach Family Foundation, the Fleishhacker Foundation, Meyer Sound, and The Apartment, Vancouver. The performances are a fiscally sponsored project of Dancers' Group. The MATRIX Program is made possible by a generous endowment gift from Phyllis C. Wattis and the continued support of the BAM/PFA Trustees.

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